High Quality Content by WIKIPEDIA articles! Sahms is a municipality in the district of Lauenburg, in Schleswig-Holstein, Germany. Herzogtum Lauenburg (English: Duchy of Lauenburg) is the southernmost Kreis, or district, of Schleswig-Holstein, Germany. It is bordered by (from the west and clockwise) the district of Stormarn, the city of Lübeck, the state of Mecklenburg-Vorpommern (districts of Nordwestmecklenburg and Ludwigslust), the state of Lower Saxony (districts of Lüneburg and Harburg), and the city state of Hamburg. The district of Herzogtum Lauenburg is named after the former Duchy of Saxe-Lauenburg.
High Quality Content by WIKIPEDIA articles! Radbruch is a municipality in the district of Lüneburg, in Lower Saxony, Germany. Lüneburg is a district in Lower Saxony, Germany. It is bounded by (from the southeast and clockwise) the districts of Lüchow-Dannenberg, Uelzen, Soltau-Fallingbostel and Harburg, and the states of Schleswig-Holstein (District of Lauenburg) and Mecklenburg-Western Pomerania (District of Ludwigslust). The history of the region has ever been influenced by the City of Lüneburg, see there for more details. The district was established after the Kingdom of Hanover was annexed by Prussia in 1866.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Volker Schmidt (born on 22 September 1978 in Hamburg) is a German football player who currently plays for Hamburger SV.Schmidt played on youthside for Jahn Wilhelmsburg, HNT Hausbruch-Neugraben and HT 16 Hamburg. In summer 1991 left he HT 16 Hamburg and signed for Hamburger SVwho was 2005 promoted to the seniorsideSchmidt who was born in Hamburg grew up in Wilhelmsburg and Neu Wiedental, he marked his Abitur at Gymnasium Süderelbe in Hamburg-Harburg
The author studies multilevel methods for the solution of systems of linear equations arising from discrete probabilistic optimal control problems with a special emphasis of problems related to recommendation engines. This book features a sound and rigorous matrix-theoretic foundation, and novel convergence analyses of the proposed procedures. Moreover, the theoretical discussion is supported by numerical experiments. The research presented in this book has been carried out as a part of a joint project involving TU Hamburg-Harburg, TU Berlin, and the realtime analytics company prudsys AG.
This book is on current research in the field of real-time video processing, and systems performance analysis. It showcases how to build robust and reliable vision-systems for surveillance and monitoring. The book focuses on how to design an adaptive real-time dual camera video surveillance system by using statistical methods for systems engineering and analysis. The author: Michael Greiffenhagen was born on December 10, 1970. He received the Dipl. Eng. degree in electrical engineering from the University of Technology, Hamburg-Harburg, Germany, in 1997. From 1997 to 2001, he has been with Siemens Corporate Research (SCR), Princeton, NJ, USA, where he has been pursuing his Ph.D. dissertation under supervision of Dr. Visvanathan Ramesh. His academic supervisor was Prof. Dr. Heinrich Niemann from the University of Erlangen-Nürnberg, Germany. Currently he is product line manager for optical network products at Siemens Information and Communication Networks in Munich, Germany.
Gene Lees is probably the best jazz essayist in America today, and the book that consolidated his reputation was Singers and the Song, which appeared in 1987. Now this classic volume is available in an expanded edition that retains a number of famous pieces from the original volume, including his marvelous essay on lyric writing, his piece on the art of Edith Piaf, and his admiring look at the genius of songwriter Johnny Mercer. In addition, this edition offers seven new essays that are no less accomplished. Here readers will find a wonderful tribute to 'the sweetest voice in the world,' Ella Fitzgerald; a moving interview with Jackie and Roy Kral; Lees's account of his involvement with Bossa Nova music and his collaboration with Antonio Carlos Jobim. We also read about Julius La Rosa, the lyrics of 'Yip' Harburg, Harry Warren's unforgettable compositions, and the elegant Arthur Schwartz, writer of 'Dancing in the Dark' and many other memorable songs.
Upon its 2011 debut, Andrew Lloyd Webber's spectacular new stage production of The Wizard of Oz dazzled London audiences and embarked on a course for productions around the world. Building upon the original story and the classic movie score with music by Harold Arlen and lyrics by E.Y. Harburg, Lloyd Webber masterfully transforms the work by contributing more than a half-dozen new, original songs that at last successfully adapt the world's most beloved movie musical for live theatre. This collectible songbook contains piano/vocal sheet music for every song on the original cast recording, along with several pages of brilliant color photos from the original London production. Titles: Nobody Understands Me * Over the Rainbow * Wonders of the World * Munchkinland / Ding-Dong! The Witch Is Dead * Follow the Yellow Brick Road * If I Only Had a Brain * If I Only Had a Heart * If I Only Had the Nerve / We're Off to See the Wizard * We're Outta the Woods * The Merry Old Land of Oz * Bring Me the Broomstick * Red Shoes Blues * The Rescue * Hail-Hail! The Witch Is Dead * The Wizard's Departure * Already Home.
The following chapters summarize lectures given in March 2001 during the summerschool on Hyperbolic Partial Differential Equations which took place at the Technical University of Hamburg-Harburg in Germany. This type of meeting is originally funded by the Volkswa genstiftung in Hannover (Germany) with the aim to bring together well-known leading experts from special mathematical, physical and engineering fields of interest with PhD students, members of Scientific Research Institutes as well as people from Industry, in order to learn and discuss modern theoretical and numerical developments. Hyperbolic partial differential equations play an important role in various applications from natural sciences and engineering. Starting from the classical Euler equations in fluid dynamics, several other hyperbolic equations arise in traffic flow problems, acoustics, radiation transfer, crystal growth etc. The main interest is concerned with nonlinear hyperbolic problems and the special structures, which are characteristic for solutions of these equations, like shock and rarefaction waves as well as entropy solutions. As a consequence, even numerical schemes for hyperbolic equations differ significantly from methods for elliptic and parabolic equations: the transport of information runs along the characteristic curves of a hyperbolic equation and consequently the direction of transport is of constitutive importance. This property leads to the construction of upwind schemes and the theory of Riemann solvers. Both concepts are combined with explicit or implicit time stepping techniques whereby the chosen order of accuracy usually depends on the expected dynamic of the underlying solution.
From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.